Margaret Atwood’s The Handmaid’s Tale reminded me how much I love dystopias. In fact, this list of dystopian films serves well as a jumbled-up 50 Greatest Films of All Time. It’s got it all: Orwell, Vonnegut, Dick… WALL-E.
In The Handmaid’s Tale the ingredients for the dystopia seem to have been picked from two different places: the past, which provides sexism and theocracy, and the future, for its abundance of leaky chemicals and annoyingly meltdownable nuclear power plants. Obviously the present (which means the 1980s for Atwood) must still feature holdovers from the past (e.g. Iran, Catholicism, and also sexism, racism and homophobia in the work place) and some ominous glimmers of the future (e.g. DDT, Agent Orange, and nuclear accidents such as Three Mile Island). But it would make little sense for someone to read about one dystopia from within the context of another.
Or would it? Continue reading “It’s Comfy Between Dystopias!”